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10 Visitor Messages

  1. View Conversation
    hi Paul! i loved "The Studio Monitor Conspiracy" article. Good read and very enlightning!
  2. View Conversation
    Hey Paul, whenever you have a minute I'd like to know your opinion on two different masters of a song I've prepared. Its called 13 Roses. Idk how to link it to here but its in my recent posts. thanks man.
  3. View Conversation
    hi paul,

    I was reading some of your post on live bands and there sound at gigs. I am from london and i am trying to desperatly sort out my bands sound at gigs and in practice.
    Would you be bale to explain in depth the setup and positioning of amps and mics at practice eg which way they are facing. We have two guitars and its just a noise now beacause i feel everything is too loud. if you could tell me the best way to go about rehersals and also for live gigs like how loud volumes should be and bass, mid treble ion guitars and bass guitar i would be really greatfull.
    you can hear some of my stuff on Checkpoint Charlie | Facebook
  4. View Conversation
    Hi Paul,
    Are you selling a preamp? Could you tell me what it is and the price?
    Cheers Chris
  5. View Conversation
    Hi Paul,
    Yes thats right, the CS has 200 series,Legacy Audio - API (Australia) They sell for $2621 same price actually as the 7600 Ebay doesnt look to be any better so might as well go to AUS reseller. After recently purchasing Focal Solo 6 monitors and UAD-2 card and most of the plugins im in a good place now to add to the pre amp stage. And i have read your posts regarding guitars and the 512c and have ben quite keen on trying this as your posts were so similar to what i have been getting.. . I have Gibson SG/Firebird and a Marshall 100 Watt Lead and it has taken huge amounts of work to get "That Tone" still not there yet where you go...'Wow" but getting there, so keen to try the API.
    Cheers Paul.
  6. View Conversation
    Hi Paul,

    thanks very much for the information, i seem to only just stumbled uponmessage now, so sorry ofr the delayed response. Yeah i own a Shure smb it does need a good pre for recording, and a AT4050,SM57,58 and a Rode Nt2 (dont like this one much) The other option i have been investigating is a channel strip, one that i have been looking at is the API 7600as you get the 2 channels eq and comp (any thoughts on this one? )as your the API man about recording review it seems! . And i must say the API gear does appeal to me.

    thanks a lot.. Feegs
  7. View Conversation
    Hey Paul,

    I have read quite a fe posts and you seem quite sold on the API 512C etc. I am looking at getting a pre and have looked at the 512c but they require the lunchbox 6 slots which makes the purchase more costly,. i was looking at the ISA Focusrite One pre as i dont really need to record more then one channel (recording guitars and bass, vocals) any reason to spend the extra cash on the API over the Focusrite?? Any thoughts?

    Cheers Feegs
  8. View Conversation
    hi do u think if i send some stuff you could help me mix it or give me some pointers.
  9. View Conversation
    Hey man! You said you wanted to hear the techno song through the harrisons, so last night I wasn't busy, and I remixed the entire song with my normal studio gear. Here's a link:

    http://www.yousendit.com/download/K0...TWNubVh2Wmc9PQ

    Let me know what you think. It's quite different.
  10. View Conversation
    Hey Brother, I have a quick question for you. I am getting ready to update my overheads. I have a few options but the two that have floated to the top are AEA R84 matched pairs or Mojave MA200s. I have one MA200 now. If I go to the ribbons I would more than likely buy the AEA TRP dual preamp. If I go with the MA200 then I would buy pres too. So here is the question, I am looking into preamps for this set up and am thinking either a pair of Shadow Gamas or 512c in lunchbox. What are your impressions of the two different pres (I believe you have both right??). I am leaning toward the Gama simply for the variation in iron/steel that the unit gives you. I am sure that either would get other duties (guitar for one) but for the kit they would be just for overheads. So what do you think, now that you have used them, if you were to go back and pick one, which would it be??
Showing Visitor Messages 1 to 10 of 10
About paul999

Basic Information

About paul999
Microphones You Own:
Microphone highlights include, Wunder CM7-gt, multiple sm-81's, 57's, etc. Many vintage "vibey" mic's.
Mic Preamps You Own:
API 512c's, D&R console pre's, Audient pre's.
Audio Interface You Own:
Apogee ensemble+rme convertors.
Outboard Gear You Own:
Highlights include an API lunch box with various eq's and compressors. Some of my favorites are API 550b eq's, and API 525 compresson. 1176LN, Manley vari-mu, waves maxxbcl, D&R stylyx console. Lexicon PCM 90, Lexicon PCM 70. Many more cool pieces as well.

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View paul999's Blog

Recent Entries

Finally I have the most fun studio on planet earth!

by paul999 on 05-09-2013 at 12:51 AM
This is a bold statement but recording, mixing and playing are about making bold and calculated moves. Inching our way to success.

What is so fun about Smith Music's recording studio?

Over the last year my entire mind set has shifted. This is the main reason I've been able to make the best possible studio experience for myself and translate that to my clients. I LOVE mixing now. My experience until the last few years has been one of mixes getting progressively

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Home Recording Talk

I might even argue that digital sounds better then analog.

by paul999 on 02-26-2013 at 11:51 PM
This is a pretty bold statement that doesn't come easily from me.

Background

When I started to get pretty good as a musician I went though a phase were I was super picky about everything. Instrument, string brand, cable length, Even building custom instruments to achieve perfection.

As I achieved success I ditched all that pickiness insisting that 99% of my tone was the player. I played on absolute crap for a while. I continued working even when

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Home Recording Talk

Paul999's Ultimate Template eats Daws for Breakfast!

by paul999 on 01-06-2013 at 06:24 PM
After exploring Reaper and have it crash and burn 75% of the way through getting my template set up I decided to learn more about Logic(the Daw I've used for the last couple years after switching from cubase). Reaper has AWESOME import/export functions and it turns out that logic has pretty good ones but far more rudimentary then Reapers. Logic has handled my crazy routing though.

I decided to take some time making my ultimate template for mixing and another one for tracking now

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Home Recording Talk

Full on Reaper trial.

by paul999 on 01-05-2013 at 10:42 PM
So I had sinus surgery just before Christmas and while I was recovering I decided to learn everything I could about reaper and see if it was a better daw then logic. A much better solution then watching T.V. and feeling miserable.


What did I do to give it a fair shot?

I watched a video course on line. I really was able to dig into every aspect of the program.


What it can do.

It can do everything that logic and cubase

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Home Recording Talk

Grrrrr Room mic........HULK SMASH!!!

by paul999 on 12-29-2012 at 01:59 AM
One of the places I've struggled with recording and mixing is with room mics. If I had shame I'd say I've struggled to an embarrassing degree:-) With no formal training(not for lack of looking) and a decade and a half experience I've finally started to make some head way into the black art of room mics. My other blogs and threads will mark the headway in the battle.

I'll start off by saying that I like my drum tones. I found ways around, and even not, needing room mics. This

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Home Recording Talk

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