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This is a continuation of my blog about mixing Clockwork Clown, the previous episode of which can be found here: Mixing Clockwork Clown - A fHumbling Journey - Part 3 - Guitars
Here is a link to my version of the mix: http://forum.recordingreview.com/f14...ble-mix-45029/
Well, it seems a LOT of mixers/musicians around RecordingReview are BIG into guitars'n'drums - I would put myself into that category as well. I've been a guitarist for 36 years,
This is a continuation of my blog about mixing Clockwork Clown - here is the previous installment, if you missed it: Mixing Clockwork Clown - A fHumbling Journey Part 2 - Wrestling the with THE GROOVE.
Here is the link to the mix I am discussing: http://forum.recordingreview.com/f14...ble-mix-45029/
Ok, so here we are at the third installment of this odyssey - I hope it has been somewhat informative & entertaining.
After getting
Here is the link to the mix that I am discussing: http://forum.recordingreview.com/f14...ble-mix-45029/
The second installment about the mix of the track linked above; Here is the first part if you missed it: http://forum.recordingreview.com/blogs/fhumble-fhingaz/153-mixing-clockwork-clown-fhumbling-journey-part-1-big-idea.html
In my last entry, I mentioned how I felt the thing that what "Clockwork Clown" needed was a bit of a "groove injection"... Let me explain what I mean:
As M24P
Here is the link to the mix I am discussing: http://forum.recordingreview.com/f14...ble-mix-45029/
So... how to start... how to start...HOW TO START???
What do you do to start a mix? "That's easy", you say: "Just import the tracks into your DAW & pull up the (virtual) faders - start mixing - Duh!" Well, most who've done it know it's not that easy.
Ever heard anyone say "Get a clue!"? The fact is, unless