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When building my website I compiled some guidelines that would help to keep things running smooth between artist and Mixing Engineer (Sound Designer for Brandon). All of this is information for the artist or whomever would be submitting the tracks to someone like myself to mix their raw tracks. These are all things that I believe will save time, money, and create a positive experience on both sides.
Communication
Communication between the Mixing Engineer and you, the client, is
It has been said a million times, but don’t mix with your eyes!! Seems simple enough, however, when using a typical DAW setup, it is a difficult thing to actually follow through on. For the longest time I had a hard time really perceiving depth in a mix. Adding reverb, delays etc. ended up making a mess because I just couldn’t sense where things were being placed. So in the search to try and find out why that was, I started turning off my monitors every now and then so I could listen to the
Ok, this was a bit of a revelation for me. And although I understood that bass is omnidirectional it was something I never actually took into consideration when placing my sub in the room. So here is what I have gone through to get to this realization. So as some of you may or may not know, I just recently set up my mix space "again" after having to tear it down due to trying to sell our home. Well we never did sell and so my studio setup had to be done all over again. So I planned
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