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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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what do you guys aim for when compressing guitar tracks in metal music? I get the point in compressors, to increase the volume of the lowest sounding frequencies and decrease the volume of the highest peaks to provide a more round sounding punchy tone, but i dont really know what i'm *aiming* for if you guys get my meaning. Maybe i don't know what i want to hear i'm not really sure if my question make sense lol. Thanks for any help |
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I treat solo's similarly to voice. When compressing heavy guitars I work to keep the pick attacks and even accentuate them a bit. If your eq frequencies are not right especially in the lows compression is a disaster.
__________________ www.smithmusic.ca |
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__________________ It's almost common sense. |
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I don't do metal, I try sometimes. I use the compressors for a tone and presence. Different ones can take the grainy edge off the distortion of the guitar. I never did that before getting into UAD plugs though, couldn't really hear anything different with native plugs.
__________________ I never finish a mix, just abandon it. |
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| This is in regards to compression (in the form of boost pedals, overdrive pedals, etc) before the amp to boost guitar signal. Compression after recording doesn;t effect tone nearly as much. With exception of compressors with tape saturation, or tube limiting effects, which will add a bit of color. API2500 has feed forward and back style compression which reallt changes tone.
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if you add compression before the distiortion, you can get a more relentless distortion sound and can be great for chugging palm mutes. After the distortion won't do much because it isn't that dynamic.
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| guitar, music, recording, tone |
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