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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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Radio stations use squash compression where it removes any and all dynamics. Perfect example is Tool. Listen to The Pot on cd, then see if your local station plays it on the radio. You will pretty much hear a different song, new things that were supposed to be quiet and in the background are now as loud as the drums. It's like someone knows the song perfectly and is moving the volume fader up and down throughout the entire song so everything is always loud. Your song may have too much reverb or boom that will make the radio compressor not play the song right. Try re-mixing or invest in mastering it from a bigger studio. |
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It's just a term, it's compression that the threshold is so low, everything stays at the same volume. You don't squash your mix, dynamics and volume ranges are good for most music. When you are listening to your mix, compare it to a pro-cd of the same style and see what's missing, or what's too much. Maybe that guy said "roomy" because it had too much reverb or needed to be mixed differently. |
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I've never heard of a specific term called "squash compression" but I know what String7th is saying. Basically they are crushing it with compression. The compression is multiband so that can dramatically effect the way that reverbs and such sound. If they weren't happy with the mix for the radio I would suggest you posting a mix in Recording Reviews and maybe we can help you with it. Brandon |
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Overly ambitious song |
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There is nothing non-radio friendly about this mix in terms of audio alone. It's not "roomy" (by my definition of the word). Young radio people may not be too excited by your panning choices. This bothered me, but the sound is good enough for the radio for sure in a natural 70s production kind of way. If the radio is refusing, it's not because of audio engineering issues. Brandon |
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I was a broadcast engineer at a radio station, however only for a year, so I'm by no means a radio expert and that was 8 years ago. We had a processor there, we hardly touched it, it had presets and that's what we used cause we were fixing the stuff mostly and weren't audio engineers. I don't remember it being multiband though, it had eq and limiter, but it's been so long I might be wrong. My advice would be to try playing this song through a limiter with a slow response time, like 50ms attack and 300ms release and see if you aren't getting some wierd pumping going on. Take this all with a grain of salt though as I said it's been a long time, I work with boilers now, not transmitters. On another note if your into audio and power and get a chance go see a radio transmitter sometime. 100,000 watts of power through a tube made of metal the size of your fist! |
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Caution -- Turn down your monitors before activating these "squash" plugins.
__________________ TonyB _________________ www.myspace.com/myguesthousestudios www.guesthousestudios.com "Can I have a little more talent in the monitors, please?" Good Song + Good Arrangement + Good Performer + Good Performance + Good Acoustic Environment + Good Recording Chain + Good Monitoring Chain + Good Engineer + Good Luck = Good Product |
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| audio, drums, mix, mixing, music, recording, rock, sound, studio, track |
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