is there a formula for phased recording
i was recording a band in the studio and made a school boy error we left the backing vocal mic on which was placed by the amp we were recoding a semi accoustic on. we had a happy accident the sound was great and we used both the original track and the happy accident track together which gave it a brilliant texture. now this has lead me to think about an idea which is plaguing me, i dont have access to a studio or i would try this myself.
the idea:
what would happen if i made a row of mics spaced every to foot apart, then the second mic back a foot higher and so on, also if the mics were place in a diagnal line and again each one back a foot higher, would the out of phase thing work with, and would it give texture variation because of the mics getting higher and loseing some of the bass frequencies. i just wondered weather there was a formula for this that was related the angles of incidence and the amplitude.
i also wanted to know basically wheather we could track a frequncy band predict its reflection. im not trying to be smart i dont know the answer, i have listened the second coming where john squar's guitar sound like something out of a scifi film, the production on this album was superb and im trying to broaden my ideas, researching some of phil spectres miking techniques.
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