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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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CAPTURE EVERY DETAIL WITH JUST 3 SM57'S! Have you ever wished for an easier way to clearly record your drums? I know I have, but for years I'd never been quite satisfied with different methods, including close-miking and the recorderman method. So, I set out to develop my own, using as few mics as possible for simplicity. This will show you my cutting-edge new drum micing technique. Other micing techniques involve complicated room acoustic calculations and complex mic placement to achieve a desirable sound. However, my new "Direct Impact Method" places the mike as close as possible to the source at the time of stick impact for maximum clarity and punch. The best part? All this can be done with only 3 Shure SM57's and a LOT of duct tape! And now, I'm going to show you how to achieve these amazing results in a simple 3-step process. Are you ready? Then let's go! First, have the drummer find the biggest, burliest, most lumberjack-resembling pair of drumsticks he or she can. However, the drummer needs to be comfortable playing with these sticks for long periods of time as they will be rather heavy in the final configuration. Next, using extremely copious amounts of duct tape (preferably brightly colored), tape an SM57 to each drumstick so that the windscreen end of the microphone is level with the tip of the drumstick. This is very important for getting as ABSOLUTELY CLOSE to the source as you can. Tape the mic cables up the drummer's arms and over their shoulders, making sure you use as much duct tape as humanly possible, especially if they have hairy arms. Run these two cables to a premium preamp, as they will consist of 2/3 of the drum's sound, and you won't want to miss out on a thing. ![]() ![]() At this point, you're 2/3 of the way through your tutorial! Keep going, you're almost done! Last, take your one remaining SM57 and tape it to the beater of the kick pedal. Make sure the windscreen end of the mic is lined up with the end of the beater and that it is directly facing the beater head of the kick drum. This may require large amounts of tape. If using a double kick pedal, use another SM57 on the other beater, set up the same way. Run this into whatever preamp you desire. This will capture the exact sound of the beater impacting the head, with no EQ or compression needed! ![]() You are now completely set up with the Direct Impact Method of drum micing. Good luck, and feel free to discuss your results! (DISCLAIMER: I am not responsible for the mics getting hit on the drums, or the drummer getting frustrated and simply playing the drums with the mics. But I understand: after all, you did pay $100 for each one of them, but don't worry: My license agreement with Shure allows me to tell you that each of these mics has been certified as Class-A Military Grade Nukeproof Indestructible by a thorough examination at a top-secret testing facility under the Arizona desert.)
__________________ when i grow up, i want to be phantom powered. "Not a bad buy for the money. As it is said, you get what you pay for. It has okay features, but I don't understand what it condenses. I poured a can of soup on it, but it nothing. It did not condense it. Extremely disappointing. I had to heat it without adding water." -review of MXL 4000 tube condenser on Musician's Friend Last edited by dangercityskyline; 08-16-2009 at 04:27 AM. |
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I'm also considering an acoustic guitar micing method involving nanoparticle-sized wireless mics woven into guitar strings.
__________________ when i grow up, i want to be phantom powered. "Not a bad buy for the money. As it is said, you get what you pay for. It has okay features, but I don't understand what it condenses. I poured a can of soup on it, but it nothing. It did not condense it. Extremely disappointing. I had to heat it without adding water." -review of MXL 4000 tube condenser on Musician's Friend |
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Probably. I'll just stick to the drumstick-micing for now.
__________________ when i grow up, i want to be phantom powered. "Not a bad buy for the money. As it is said, you get what you pay for. It has okay features, but I don't understand what it condenses. I poured a can of soup on it, but it nothing. It did not condense it. Extremely disappointing. I had to heat it without adding water." -review of MXL 4000 tube condenser on Musician's Friend |
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| acoustic, clarity, drum, drums, mic, microphone, pedal, preamp, record, recorderman, recording, shure, sm57, sound |
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