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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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| I've had Autotune for about 5 months now and I have NEVER used it. I've read engineers talking about how they can turn a "donkey into Pavoarotti." Well, I can't. Maybe I just haven't learned how to use Autotune well enough, but if I have a whiny off-pitch emo kid- it's gonna sound like a whiny off-pitch emo kid. If a singer is pitchy or off I tell them to sing it again and I'll try to comp different takes together, or we completely put the song on hold and just go back to it on a different day. If a band says, "don't worry he can autotune it in mastering," i just say no i can't and they have to do it again. on a completely different note: brandon, did you ever do an article on compression or put up sound clips? |
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I used Antares a long time ago... I thought it did a decent job. I have Melodyne now - its okay for one or two notes, but its very tedious to use on a large scale, and depending on the material it can be really hard to get good results. The way it interfaces with ProTools is horrible too. I think these things work better on non-vocal tracks where there's less likely to be intentional note bending going on. Rich
__________________ www.studiobeemusic.com |
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I have a problem with pitch-correction. I htink that a recording should be indicative of the talent of the artist, not the amount of money and time the producer has. If a singer isn't perfect, so be it. nobody is, and it sounds more real if you don't tamper with the vocals. -Tyler
__________________ "Hence it comes that all armed prophets have been victorious, and all unarmed prophets have been destroyed."- Niccolo Machiavelli http://www.last.fm/music/Tyler+Alderson |
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| autotune, band, compression, day, instrument, key, mastering, recording, singer, software, song, sound, vocals, war |
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