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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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The signal is split into 4 bands, each one covering a certain frequency range, processed and then summed back together. The advantage to this is that high and and low end ect will respond to compressors quite differently, so for instance you could compress some wild low end a lot without really affecting the high end or mid range. They are pretty fun at first, but most people sort of get over them eventually. When I use them I usually only use one of the bands and leave the other three inactive. I will use it to compress a certain frequency I am having trouble with. |
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Recently, I had a problem where my reverbs were much louder on tracks after I ran the track through my "mastering chain". I mean a mix went from being about right to sounding cheesy. I had a Waves Rcomp, a Waves C4 (multiband compressor), a spacial something or other, and an L2. All them were set to be fairly subtle. I was told that the C4 was causing the problems. I took it off. It immediately solved the problem. In other words, multiband compressors are really powerful. Just barely using them can cause complete destruction in a way that you probably didn't expect or even immediately realize. I typically use them as de-essers on vocals. I also only use them on the specific band I need and set them so that I can barely hear what they are doing. Have fun with it. Let us know how it goes. Brandon |
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Still trying here but I'm at the stage where im a bit to scared to touch stuff. I applied it to the master and took up the 3rd compressors EQ which seemed to raise the master mids. I liked that and I took up the forth which was his. Still to scared to do anything else but I'll keep working on it and get back to you ;with more questions. Ben
__________________ "There is no such thing as bad music... Only different" |
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Dude, Don't be afraid to use it. If you are a pussy with your recording gear, you'll never get any better. I always make an effort to make something sound like shit whether it's tracking or mixing. The idea is to catch it and fix it before the project is over. In other words, HAVE THE BALLS TO TRY SOMETHING NEW!!! I can usually do a half assed mix pretty decently for local bands, but I go out of my way to try new things when it doesn't matter. You'd be amazed at how embarrassingly terrible my mixes can be when taken outside the studio. I consider this a strength. Brandon |
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Brandon, I was kidding, thats my way of saying I haven't gotten anything good out of it yet cause I have no fucking idea what I'm doing. Ben
__________________ "There is no such thing as bad music... Only different" |
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Oh good. Well, maybe someone else will benefit from my rants. In my opinion, these damn multiband compressors should not be overly obvious. The concept is great, but they do weird things. Brandon |
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"Good Sound is the Absence of Bad Sound" They can easily destroy a mix or a track. They are cool because you can take a sound and only compress a certain bandwidth of the audio... like compressing the hi end while leaving the lo end intact and not destroying the dynamics... etc... People over use them when they smash all the bands... like anything compression, it can leave artifacts or do bad things if you're not careful... I think some of those waves plugs seem to have developed a mind of their own... kind of like in the movie "The Terminator" |
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| audio, error, mix, mixing, recording, studio, track, vocals |
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