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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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Hello everyone, wanna start of by saying how helpful this forum is. Top notch honestly. Now on to business. I've been doing home recording for 2-3 years or so. I started out with mostly Trance and such genres on Reason and on various DAWs with plug ins. I've always been a guitarist, drummer, bassist, pianist, etc.. So I always loved playing them, but I never had the cash for equipment to actually start with that. Now that I have a bit of a budget to work with, my biggest concern is recording drums. It is so god DAMN annoying to layout a drum track with MIDI or just arrangement, it's so time consuming. I also never get the drums exactly how I wanted them. So: I have my drumset, a Tama Swingstar with some extra cymbals. Here is the what i've learned of both worlds so far. Miked drums: - More natural sound - I'll need decent acoustics in the room - I'll have to buy decent mics to get decent sound. - Placement and tuning matter basically 100% Triggering - Not natural like miking, but can have more or less same acoustics (Depending on triggers, placement and plug ins used) - Allow me to not have to fine tune drums - Array of drum sounds available at any moment with a click of a button - All i need is triggers, drum module, and MIDI in/out I do not have a really big budget, and my studio is in my room, so I don't think acoustics are very good. I feel like miking would be expensive. I already have a mixer, but when you factor in mikes, such as 1 or 2 snare, 1 per tom, 1 or 2 overheads, bass drum mic, etc...plus cables and stands, I feel like i'm going to get into the 500-600 dollar range easy, unless I go with crap equipment. With triggers, I can get the Ddrum triggers for 200$, a Roland trigger to MIDI converter for like another 200 or so, less used. And I can just use some radioshack piezos on the cymbals. What do you think? For a semi pro to pro sound. What do you use? Setup you'd recommend? Any info is helpful. Sorry for the long ass post but thank you again!
__________________ Dell AMD Phenom Tri-Core, 8gb RAM, 640gb HDD M-Audio Fast Track Pro Tama Swingstar kit custom gun metal ION iEDO1 electronic kit(Mostly to trigger my drums and add "ecymbals" Gibson Les Paul Custom Sonar 8 Producer Edition Pro Tools M-Powered Reason 4.0 |
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I use drumagog. Buy any old mic for close micing because drumagog uses the wave form as a trigger. Buy good overheads because that is the giveaway to sampled drums. I recommend sm-81's. It will cost a bit more but it is the best of both worlds.
__________________ www.smithmusic.ca |
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Real drums can impart loads of character even if you're just pretty average at tracking them (as I am). Cheap mikes sound OK on my drums. D112...... £100 SM 57.....£60 or £70 Behringer condensors.....£70 (pair). That gets me anything from Ringo to a synthetic Dance sound,depending on how I mess about with it. |
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What I was thinking is whether it's much easier to use ddrum triggers for your triggering instead of using the audio you recorded. It doesn't mean that you cannot use mics WITH the triggers on the drums. Besides that you will have to use at least the overheads and maybe a hi hat mic for the cymbals. |
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| | What he said! Absolutely Triggers won't replace the overheads, well technically they can, but not artistically as Paul stated.
__________________ TonyB _________________ www.myspace.com/myguesthousestudios www.guesthousestudios.com "Can I have a little more talent in the monitors, please?" Good Song + Good Arrangement + Good Performer + Good Performance + Good Acoustic Environment + Good Recording Chain + Good Monitoring Chain + Good Engineer + Good Luck = Good Product |
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| drums, equipment, home, home recording, mic, midi, pro, recording, snare, studio, track |
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