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| Audio Engineering Discuss audio engineering techniques such as mic placement, technique, and gear selection. Discuss the recording of drums, electric guitar, acoustic guitar, bass, vocals, and more. |
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![]() This one was a little tough!! Normally its KSM 32s OH SM57 Snare Beta52 kick Microtech Geffell UM70s Room Audio Technical 4060 about 3 feet in front of the kit. Yamaha sub kick if I am feeling fancy. |
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I have absolutely no method to my drums. I am still looking for a method I'm happy with...not that it would ever work twice. I used my Soundelux U99 about 3 feet in front of the kick about 3 feet off the ground. I used an AKG 414 about 12 feet back (in another room) as a room mic. Brandon |
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Brandon- No close micing? Do you have two overheads to work with? Maybe trying a little of that could help you out a bit though room micing is the more natural sound that we all want. I've also found that if I mic a set twice It'll sound like I miced it twice. hmmmm. Ben
__________________ "There is no such thing as bad music... Only different" |
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I use SM57's on snare top and bottom, sennheiser md421's on toms, akg d112 in kick, sm 81's as OH's,? an AT 4033 4 feet or so in front of the kick a little below the tom rack, and a royer r121 a little above the drummer's head and behind him. I've tracked in a really dead room and a big room with high ceilings and marble floor. So far the dead room ALWAYS sounds like shit for drums. I've recorded a fucking awful Sunlite kit and a really really nice custom-made kit...and the custom-built kit sounds a million times better. So because drums are an acoustic instrument it's really all about the source, I tried my best, but there was no way in hell I could make the Sunlite kit sound good. http://www.soundclick.com/bands/page...bandID=281476? "Demo"? that's the band with the custom drum kit. Also the harmonica and shakers were recorded in the large room kinda by the Royer I think. None of this is mixed, i might of dragged my hand across some faders to make it softer and I added some RVerb to the vocals and the slide. |
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Damn computer speakers are fried again. I'll have to break down and buy something decent soon. The 2 mic drum thing was something I did once. A week before that I was doing a modern rock thing with a DW. I had a mic on bottom and top of each drum and a mic on each cymbal. There are elements of each that I prefer, but neither is IT. This new room that I'm preparing my brain for, will be the answer. Brandon |
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well i have done live work with just as little as an AT4040 and a kick mic (that was borrowed) Samson mics suck by the way the sounds are good and i had it pointed dead center of the kit and running with enough gain that i can get some great sounds. the snare might be the weakest thing but i still think its fine... the band has not given me any right to post a sample though...
__________________ "Pro Audio is but one tiny cell of a fungus on a short hair of a flea"<br /><br />George Massenburg |
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Hey Andrew07, There is nothing wrong with those drums. Where do you get a marble floor? Brandon |
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| Tags |
| acoustic, audio, bass, drum, drums, instrument, mic, record, recorderman, rock, sample, samson, snare, vocals |
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