Audio Engineering Intro

[basu1299]

Brandon,

How r u ?
Today I am here to know somthing I am novice to musical instrument my son
know a little bit about music and notes.He is telling me to buy a digital piano

I am going to buy a digital piano what will be the best to learn
I saw a Roland RD300GX is it good for beginners ?

basu

[adrian_h]

I just started building a home studio, and wanted to know if their is any way to record individual drums into different tracks in my computer?

[irawan gani]

what do you mean by 'drums'?

as in tom, snare, hat, etc etc?

are you talking about live drums or programmed?

[gyps]

Hi Brandon: Interesting to read that you have a Delta 1010.
I used a Delta 1010LT PCI card in my Mac G5 Dual 2Ghz PPC for about five years. In Feb. this year it developed a strange hiss or noise much like white noise but more sinister. Cut my losses and chucked it, replaced it with an M-Audio ProFire 2626. What a brilliant combination with Logic Pro 7.2.3.
Had heard that PCI card interfaces get a hard time, power supply wise, as they are on all the time even when not using them.
Thought that may be interesting for other PCI card users and some thing to watch for.
Don't get me wrong, the Delta 1010 was great, just wanted to go external Firewire and use it on another machine, Mac of course.
Cheers.

[irawan gani]

... ask A Rahman....

[paul999]

How to make me the best Sound Engineer of our time?

After extensive soul searching i have finally decided to make my passion my career. Now here's the catch, I am doing mechanical engineering, India (pune university). Most importantly I want to do it in the best way possible! Want to be 100% sure that this couldn't have been done in any better possible way. WHAT WOULD YOU HAVE ME DO TO MAKE ME THE BEST SOUND ENGINEER OF THIS AGE?!

(also please answer these also)
Q1. After having a degree in Bachelors of engineering (average marks) my next step is internship/degree from an institute?
Q2. If internship, then how long, and if degree, then from where(institutes)?
(i guess I'll have to do it abroad but, budget will be constrained)
Q3. Credibility of an internship / a degree.
Q4. Top institutes for acoustic engineering? (don't just want a shiny certificate, a place where i will have a holistic development)
Q5. What must one do to make his career incline towards live audio engineering(foh/monitor/sound reinforcement etc)?
Q6. I play an instrument, but have zero theoretical knowledge, ie reading sheet, bars, counts etc, does it help in long run to have this under one's belt?
Q7 Have a very poor music scene, very few production houses, recording studios, gigs etc here in Bombay. This reduces my chances to get a good internship, job etc, should i rethink this career option considering my location?
Q8 This one is for the elderly, those that are settled in the audio industry, I would be lying if i said that i don't care one bit about the financial aspect and am doing it as a passion, being honest here guys, how does the financial scene look from your end?
Q9 ok i got my internship, degree etc etc etc, hmmm WHAT NOW?

(i know its really extensive, can't help it, making a life altering decision here!)

The cream rises to the top. If you are the cream and put yourself in the best situations that you possibly can then you will be successful. Keep your eyes open and learn to see opportunities.

Cheers

[whomper]

Why would I need external compressors, limiters, etc. if my software has these? I am upgrading my home studio, and sure I am facinated with all the stuff I can get to improve my sound, but I don't want to spend all my money just because I am "facinated". I also would like to have a physical mixer or daw control surface, but do I really need it if I'm using Cubase, a firepod,and a low end Casio for my midi controller and other sounds?

kyl

dont need them
might be slightly better
certainly a lot more expensive

[Raykeyz]

i have a question... what is XLR cables?

im just kiddin.. my question is im using the Alesis Master control as my audio interface/ controller in my set up.. i have a Guitar plugged into the Boss GT-8 effects pedal then to the alesis.. do i still need a DI box before going to the input channel of alesis

BTW im not using the channel with mic pre on the Alesis...thanks

[brandondrury]

do i still need a DI box before going to the input channel of alesis

Your Boss box should function as DI...I think. The only reason I'd change is if you weren't happy with the sound of the Boss.

Brandon

[Phased]

"If you have any questions or just want to chat, this is the place!"

Where do you buy your socks? :-P

;-)

Peace

[felaspc]

absolutely

[alvincflorentino]

I just submitted a forum question in a new topic but after seeing this thread, I think this is where my question belongs (or does it?). Sorry 'bout that.

Just read an interesting article in EM (June 2009) about the Fletcher-Munson curve and how people perceive loudness (dB) at different frequencies (Hz). Apparently, different frequencies are perceived to be naturally different in intensity and this general pattern forms a funny looking curve that, to me, almost looks like the "smiley-face" curve of the "pop" EQ settings we all love (a coincidence? Go figure). They say that, based on the findings of Harvey Fletcher and Wilden Munson in the 1930s, to be "as loud as" a 40 dB SPL 1 kHz tone, a 10 kHz tone needs to be about 50 dB SPL, and a 100 Hz tone must be more than 60 dB SPL. Can you imagine the "smiley-curve" now?

They go on and say that because the levels and variations almost level off at the 90 dB mark (where our hearing is particularly flat), this is the best levels to monitor your mixes at.

Now, onto my issues. Everyone's heard of people saying that your mixes should translate well to other systems but what does that really mean? Mix with as flat an EQ as possible so that it plays with no frequencies "sticking out" when played in both hi- and lo-end systems? Does this Fletcher-Munson curve play a role here?

It's common knowledge that in the end most listeners tend to tweak/boost the bass and treble to achieve a balance they feel is appropriate for them, ending up with that "smiley-face" EQ curve again. But when mixing, should you mix with that "final mix" mix in mind? Is it obvious I'm mixed up? Help anyone?

[newkid]

I just submitted a forum question in a new topic but after seeing this thread, I think this is where my question belongs (or does it?). Sorry 'bout that.

Just read an interesting article in EM (June 2009) about the Fletcher-Munson curve and how people perceive loudness (dB) at different frequencies (Hz). Apparently, different frequencies are perceived to be naturally different in intensity and this general pattern forms a funny looking curve that, to me, almost looks like the "smiley-face" curve of the "pop" EQ settings we all love (a coincidence? Go figure). They say that, based on the findings of Harvey Fletcher and Wilden Munson in the 1930s, to be "as loud as" a 40 dB SPL 1 kHz tone, a 10 kHz tone needs to be about 50 dB SPL, and a 100 Hz tone must be more than 60 dB SPL. Can you imagine the "smiley-curve" now?

They go on and say that because the levels and variations almost level off at the 90 dB mark (where our hearing is particularly flat), this is the best levels to monitor your mixes at.

Now, onto my issues. Everyone's heard of people saying that your mixes should translate well to other systems but what does that really mean? Mix with as flat an EQ as possible so that it plays with no frequencies "sticking out" when played in both hi- and lo-end systems? Does this Fletcher-Munson curve play a role here?

It's common knowledge that in the end most listeners tend to tweak/boost the bass and treble to achieve a balance they feel is appropriate for them, ending up with that "smiley-face" EQ curve again. But when mixing, should you mix with that "final mix" mix in mind? Is it obvious I'm mixed up? Help anyone?

see answer under your other post

new questions belong in new threads
so people are more likely to see them and respond

[ckelloggjr]

Hi. I am brand new to sound and sound recording. I realized that to really get a hold on good recording, I'll need to understand sound and how it works.

Is there an article that explains the basics of sound and how it applies to EQ, etc...?

Is it covered in any of the KHM series?

Thanks.

[brandondrury]

Is there an article that explains the basics of sound and how it applies to EQ, etc...?

Is it covered in any of the KHM series?

Well...I have like 300 blogs/articles here at RecordingReview and 20,000+ posts that are ALL about "the basics of sound". The 13-part Killer Home Recording series is my 2.5 year opus into this same issue. (That's where I'd start, but it'll cost you!)

Brandon

[bgibson]

Hello everybody.

So I am getting started in the recording world, (daunting task to say the least.) After some reading, some trial and error, and a lot of frustrating afternoons I have decided that before I buy 1 more single piece of equipment I am going to attack a budget Accoustic treatment for my room.

I am currently using a yahama MG102c mixer, shure 57, AT2020 condenser, and a pair of cmh8k condenser to record my drums. I am running this all through a analog to digital converter 1 stereo channel in and out, that I bought to convert LP's to MP3. Not the best set up, I know, but what I could afford at the time.

By budget I mean follow something very similiar to Ethan Hine's design for bass traps and bill each corner with them and use his mid and high diffusers on all walls.

The next mic I plan on getting is an audix D6 to replace the at202 (which is as of now being used as a bass drum mic), but am thinking it might make more sence to treat the room first.

Opinions please.

[billy9higgins]

Audio engineering is a field that deals with the use of machinery and equipment for the recording, mixing and reproduction of sounds. The field draws on many artistic and vocational areas, including electronics, acoustics, psychoacoustics, and music.

[cikoo]

Audio means "of sound" or "of the reproduction of sound". Specifically, it refers to the range of frequencies detectable by the human ear — approximately 20Hz to 20kHz. It's not a bad idea to memorise those numbers — 20Hz is the lowest-pitched (bassiest) sound we can hear, 20kHz is the highest pitch we can hear.

Audio work involves the production, recording, manipulation and reproduction of sound waves. To understand audio you must have a grasp of two things:

1. Sound Waves: What they are, how they are produced and how we hear them.
2. Sound Equipment: What the different components are, what they do, how to choose the correct equipment and use it properly.

Fortunately it's not particularly difficult. Audio theory is simpler than video theory and once you understand the basic path from the sound source through the sound equipment to the ear, it all starts to make sense.

Technical note: In physics, sound is a form of energy known as acoustical energy
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[thenley89]

Hey everyone, I'm fairly new to the community and audio in general. I love music and I love recording music. But I want to become more knowledgeable on the subject. I just don't really know where to begin, and I figured this would be a good place to begin looking for advice. I just have a couple questions.

Where do I start?

Where can I learn more?

Is schooling a necessity?

What should I buy first?


This is what I have so far.

Buy TASCAM DP-02 Digital Portastudio | Multitrack Recorders | Musician's Friend

Buy Shure SM57 Instrument/Vocal Mic | Dynamic Microphones | Musician's Friend

Buy CAD CM217 Condenser Mic - Buy One, Get One FREE!!! | Condenser Microphones | Musician's Friend

Buy Sennheiser HD 202 Intense Stereo Headphones | Studio Headphones | Musician's Friend

[paul999]

Hey everyone, I'm fairly new to the community and audio in general. I love music and I love recording music. But I want to become more knowledgeable on the subject. I just don't really know where to begin, and I figured this would be a good place to begin looking for advice. I just have a couple questions.

Where do I start?

Where can I learn more?

Is schooling a necessity?

What should I buy first?


This is what I have so far.

Buy TASCAM DP-02 Digital Portastudio | Multitrack Recorders | Musician's Friend

Buy Shure SM57 Instrument/Vocal Mic | Dynamic Microphones | Musician's Friend

Buy CAD CM217 Condenser Mic - Buy One, Get One FREE!!! | Condenser Microphones | Musician's Friend

Buy Sennheiser HD 202 Intense Stereo Headphones | Studio Headphones | Musician's Friend

I would take a look at killer home recordings. It will be a god send

[thenley89]

I would take a look at killer home recordings. It will be a god send

Thanks, I just found and downloaded it about and it has been very helpful so far and I'm definitely going be buying the whole series ASAP!

[TimothyWillbert1]

I am 20 year old want to make carrier in Audio Engineering, i am started with some processes like home recording what's next!!

[bestcommercial]

Hi...
I am very new to recording world..i want help from you..

[irawan gani]

Hi...
I am very new to recording world..i want help from you..

welcome bud. feel free to drop your work in 'Bash This Recording' so that we can hear what you've got and help you in any way that we can.

[TimothyWillbert1]

What kind of help you need, can you totally open with us for better understanding