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Did a work up on Simple Twist of Fate by Bob Dylan. Be kind. One of my first mixes. http://tompkins.homelinux.com/pub/tr...wistofFate.mp3 |
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| High notes were a bit of a stretch. Would definitely rework that part.
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Don't gate. Just write volume automation so that it fades up just as the part begins. You can also trim the track to the start and do an edge fade so there's no blip. Seriously, you don't want to use a gate here.
__________________ It's almost common sense. |
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__________________ M-Audio Profire 610/Pro Tools M-Powered 8 |
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Yes, do that. Sorry to contradict you, I just read the part where he asked how to gate something. Oh, well. When a gate shuts, it's a very harsh, unnatural and often ragged effect. You can spend plenty of time trying to get a gate to do this and still have it wreck your tails (and possibly attacks, as well). The methods I suggested won't do any of that sort of damage. In addition, most tracks can stand at least a hair of volume automation to keep any necessary compression less severe. I do love the gated reverb return on a snare for that '80s effect, though. So gates aren't entirely useless in the studio.
__________________ It's almost common sense. |
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| Hey no worries. I have never really used gates because, well, probably for the same reason you are saying not to - I have never been able to get one do sound good, they always kill too much. I always attributed to my own inability to figure out how to set them. I assume you hear the same noise I do?
__________________ M-Audio Profire 610/Pro Tools M-Powered 8 |
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