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Nice tune - good to hear real instruments played by real people! The mix does need a lot more clarity, though... High-pass filtering is the key here - get rid of all the extraneous low frequencies in each element's range, & you'll find things become more present, clear & less "cloudy". This is particularly important on the lead vocal. Also, get friendly with the "pre-delay" control on your reverb - if you set it to around 50-80ms, you'll find you can still use quite a bit of it, but it helps with clarity as well. Try high-pass filtering the reverb send quite severly, as sometimes the reverb really muddies up in the low end too.
__________________ Sum of my Tunez... All former Bashing Victims! http://soundclick.com/fHumblefHingaz |
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Should I run the different tracks through the PRO-TOOLS EQ plugin to accomplish this? They have a 1 band 4 band and 7 band option. I am mixing this in the pro-tools mix window. What are the digital ranges for let's say the bass the guitars, keyboards and vocals? I have a lot to learn. It was easier for me to turn around in the old studio and manually set the slides on the analog furman EQ's. Not to mention the four band EQ on each input channel of the console. Here in the digital world all of the equipment is hidden out of sight. I will have to learn to use it. |
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Bass: 40Hz, Guitars: 100hz, Keys: 120hz, Vocals: 100hz. Play with the turnover frequency in the context of the mix - move it up until you start to hear it overtly thinning out the sound of the instrument, then back it back down a bit.
__________________ Sum of my Tunez... All former Bashing Victims! http://soundclick.com/fHumblefHingaz |
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I am going to work with those EQ's and see how well I can learn them. I wish it wasn't up to my ear though. My ears are shot from to many years of standing in front of the marshall stacks and working in a machine shop. All of the highs are missing from my hearing. My overall hearing loss is 40% in the right ear and 50% in the left. I still intend on doing the best that I can. I will just have to use other peoples ears. |
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__________________ Sum of my Tunez... All former Bashing Victims! http://soundclick.com/fHumblefHingaz |
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The vocal reverb is not the direction I'd go. It's washing out the lyrics. There's nothing wrong with cranking up the reverb, but the rule is can't cover up the lyrics. (Assuming the lyrics are important....they are 99% of the time). Finding the right reverb is always a quest. Predelay is a huge setting. Decay time is too. You may be able to achieve your ambient goals with something much shorter. Play around with it and see if you can get more clarity out of the vocal and keep it ambient too. The other advice here is solid. Cool song! |
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I didn't know how to set the D-verb so I left it on the default setting. I will research it and learn how to use it. I noticed something in the settings of D-verb that used the word ambient, I'll have to check that out. There are a lot of other plugins in this version of protools that I have to learn also. Maybe some of the old analog tricks will work, "like running parallel vocal tracks one with effects and one without. Thanks again Charles Martin Covault |
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Hey Charles, Great song. I agree with rolling off the low end frequencies. It'll drastically improve the clarity of the track. A good place to start would be with the bass guitar. With country-style music, the first thing I do is a band sweep on the bass guitar track. I usually (but not always) pull out 400Hz (medium to narrow Q) and boost 1kHz with a narrow Q a little bit. Just for starters. On your reverb plug in, roll the "mix" amount down. Or, like you mentioned, running a parallel track with verb on it. Cool first run at Pro Tools. Cant wait to hear it when you've tweaked it and reposted it
__________________ Rich Spalla The Music Lab of NY www.themusiclab.me www.myspace.com/themusiclabny (716) 201-9959 |
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