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I don't think we've fought about this one, so put 'em. There are various products out there that claim immense improvement by decoupling the monitors from the surface they sit on. The Auralex Mopad things come to mind....although I can't ever see myself buying anything with that brand name attached. People are raving about the https://www.axemusic.com/product.asp...8024&PT_ID=275 but I can't see myself spending $250 on a piece of metal on top of some foam....even if there is more to it than that. Then there is Shock Absorbing SorbothaneŽ - Edmund Optics Sorbothane sounds more like something that NASA would use. That's a good start. It seems like pretty awesome stuff. It's not super cheap. Some guys seem quite content with mouse pads. Any thoughts? Brandon |
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As was suggested in the other thread, I use some old foam packing material for my "run-of-the-mill" Bose home stereo speakers on the live floor for "casual listening" to my "almost final mixes." And "did' "I" "use" "enuough" "quotes."
__________________ TonyB _________________ www.myspace.com/myguesthousestudios www.guesthousestudios.com "Can I have a little more talent in the monitors, please?" Good Song + Good Arrangement + Good Performer + Good Performance + Good Acoustic Environment + Good Recording Chain + Good Monitoring Chain + Good Engineer + Good Luck = Good Product |
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I would think that if monitor decoupling made a significant difference in mixing, then the companies that make the monitors would be adding some device to the monitors and using it as a selling point.
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Monitors=50%, D/A conversion=10%, Room acoustics=20%, Cables=2%, etc. This little example breakdown will probably be quoted and retorted by; "Nuh-uh!" |
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![]() Monitors=cost/how they look, D/A conversion=WTF is that?, Room acoustics=what happened to my mom's curtains, Cables=Radio Shack baby!, etc. All seriousness aside...they're all critical for sure and add up to the final desired product. You definitely need to know the dimensions and layout of your listening environment and choose the optimum of the elements described above. Good luck, because I'm never sure if I got it right.....although I know where the sweet spot is in my CR (move 6 inches either way and it's lost).
__________________ TonyB _________________ www.myspace.com/myguesthousestudios www.guesthousestudios.com "Can I have a little more talent in the monitors, please?" Good Song + Good Arrangement + Good Performer + Good Performance + Good Acoustic Environment + Good Recording Chain + Good Monitoring Chain + Good Engineer + Good Luck = Good Product |
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I'm probably going to get flamed for this but... I have two sets of the auralex mopads for my monitors and honestly... I can't hear any difference at all between when I wasn't using them, and now that I am. Perhaps it's doing something subtle that I'm unaware of, but they're kinda pricey for a "subtle" enhancement.. just my experience..
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![]() I'd change it to this: Studio Monitors 30% Room Acoustics 69% ![]() What you had for lunch: 0.5% D/A Conversion: 0.5% Cables: .......just use TonyB's curtains. Quote:
If you can't hear a difference, there is no difference. PERIOD. Whenever there are people who say "Holy shit!!!!" and then people who say "I don't hear a different" I'm always inclined to lean in the direction of that which costs the least $$$$. There are a few possibilities to this decoupling situation. a) People are sensationalizing the effects. (Gee, when does that EVER happen in audio??? )b) The effects of the decoupling are dependent on the situation. Two monitors placed on a 1/4" sheet of plywood are going to vibrate the crap out of that thing and this will induce resonant comb filtering of some kind. Two monitors placed on the Jefferson Memorial aren't going to be so effective at shaking it. It seems the situation would be different for people using stands vs people using a desk or table....maybe not. Brandon |
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| audio, cheap, equipment, home, mixing, sample, studio |
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