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For some situations that only call for 1 ADAT, simply set the ADAT preamp as the master and the interface as the slave clock. Work perfectly with my Firestudio and Digimax. But for all 26 channels running, a clock sync would be needed. If the RME has built in clock (usable but not the best choice), simply set it to be the master, and use coax clock cables to connect them all. From what I understand, it's similar to daisychaining Firewire, there's no order it needs to be in, just connected. |
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Alright, so it's from the interface out to preamp A in. and from preamp A out to preamp B in? Is that correct? Why did you set your preamp as the master? Better clock? I read that the RME clock is quite good, I don't want to buy a cheap external clock sync that will eventually be worse. |
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I set the Digimax as master just because it's the only thing sending the digital signal, like a 1-way street, the interface just follows it. If I set the Firestudio as the master, I would need to send the sync signal to the Digimax by the BNC cables so the Digimax follows the interface instead. I hear about the RME being better than average, too. Better than the affordable clocks like ART anyway. Probably wouldn't hear or have any better experience through an Apogee Big Ben. Last edited by String7th; 10-30-2009 at 02:25 PM. |
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Brandon |
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__________________ If it sounds good, it IS good! |
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| Yes you can, If both add on pre-amps have both adat out AND adat in. The ADAT signal from the master has sync code embedded in the signal. You run 2 light pipe cables from both in and out of the master and slave. Some pre-amps have only ADAT out (like the Digimax d8) You can't sync it with with adat in cause it doesn't have one. If you want to sync a d8 with a master you have to do it with BNC.
__________________ If it sounds good, it IS good! |
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| Not near as slow as me, I know this sh!t cause I've done everything wrong the 1st time. LOL
__________________ If it sounds good, it IS good! |
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| audio, clock, interface, m-audio, sync |
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