creating a better compressed lead vocals
i read from Sound on Sound about this trick: The effect in question is a mono-to-stereo pitch-shifter-delay send effect, where both the left and the right channels are delayed by between 5ms and 20ms, but with one channel a few milliseconds ahead of the other. The earlier of the two delay taps is then pitch-shifted downwards by 2-10 cents (cents being hundredths of a semitone), while the later tap is pitch-shifted an equal amount upwards. The net result of this process is that the delay taps separate themselves from each other as far as the listener is concerned, and sit at the extreme edges of the stereo field.
Adding this widener effect to a dry vocal gives the impression that it is spreading across the stereo image, the width depending on the level of the pitch-shifted delays. Because the delay times used are so small, you don’t really perceive any kind of ‘echo’, but if the level of the delays increases there is the danger that they begin to phase-cancel noticeably with the dry signal and thereby change the overall vocal tone. If you find that this starts happening, try adjusting the exact delay times a little, as this will shift the phase-cancellation frequencies and allow you to find a setting that better suits the sound you’re after. That said, ever since the band Chicago went out of fashion, few people without permed mullets use more than a touch of this effect, so tonal changes are unlikely to cause much of a problem for you if you’re after that kind of low-key David Sylvian sound.
anyone know how this can be achieved in Logic?
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