|
|||||||
| Register | Donate | FAQ | Search | Today's Posts | Mark Forums Read |
| Synth and Sample Reviews Read and write reviews of your favorite synths and samples. |
| Ads For Non-Members |
|
|
|
Welcome to the Home Recording Forum. You are currently viewing our boards as a guest which gives you limited access to view most discussions and access our other features. By joining our free community you will have access to post topics, communicate privately with other members (PM), respond to polls, upload content and access many other special features. Registration is fast, simple and absolutely free so please, join our community today!
BIG Reasons To Join!!![]() Recording Gear QuizCan you really hear the difference between a $5,000 signal chain vs a $100 signal chain? Take the recording gear quiz!![]() Getting Started With Home RecordingA beginner's guide to everything you need to get started recording music at home and will hopefully allow you to avoid some pitfalls.![]() Bit Depth WarsAre 24 bit recordings superior to 16 bit recordings? Can you even hear a difference? We'll tackle this heated subject head on.![]() Guitar Rig 2 vs Real, Expensive Recording RigHow do the guitar emulators compare with the a high end amplifier and expensive signal chain? Find out.![]() My Electric Guitar Secret WeaponIt's no secret that many big boy recordings come from cranked amps. However, here's my secret to cranking amps at home.![]() Electric Guitar Microphone ShootoutWhat mics sound best on electric guitar? Who knows! However, I wasted an evening comparing mics in multiple places to help shed some light on the subject.![]() AD Converter Shootout: Mytek AD96 vs Presonus FirestudioWhat's a high end analog to digital converter going to do for you? Here are a few examples than can shed some light on the subject.![]() 10 Things Every Band Should Know Before RecordingThe emphasis on recording always seems to be on the engineer. That's baloney! It's on the band! Do not step into a recording studio until you've read this!![]() Voiceover Microphone ShootoutI'm not voiceover stud but I did go through most of my mics to see which mic worked best on my voice.![]() Guitar Reamping: Test #1Myth: You must stack up multiple amps to get a great sound. Find out if there is any significant benefit to blending multiple amps together for huge rock guitar tones.![]() MIDI Troubleshooting 101Having problems with MIDI? MIDI can be confusing at first, but this troubleshooting guide will help get you started.![]() Presonus M80 vs Vintech 1272 Metal Guitars Preamp ShootoutHere's a head to head competition of the Presonus M80 and Vintech 1272 on high gain metal guitars.![]() George Massenburg's RoomCheck out the inside of one of the most innovative and unique control room designs in the world.![]() Getting Started With Midi SequencingNot sure what MIDI is or if it can even benefit you? Start here!
If you have any problems with the registration process or your account login, please contact contact us. |
| Ads For Non-Members |
|
|
|
|
|
LinkBack | Thread Tools | Search this Thread | Display Modes |
|
||||
![]() ![]() Compare the best prices from all over the web on Arturia Arturia Brass - Trumpet, Sax, and Trombone Modeling Software Arturia Arturia Brass - Trumpet, Sax, and Trombone Modeling Software Description Brass is a new kind of virtual instrument based on a physical modeling technology. It emulates a trumpet, a trombone and a saxophone. All the characteristics of the real instruments have been analyzed and modeled through extensive research at world-renowned IRCAM institute. Arturia has partnered with this highly skilled team of researchers to bring this groundbreaking technology to the musician, in the form of a software instrument. Brass is an extremely expressive, flexible and controllable instrument, and thus a fantastic alternative to loops or music libraries. What Makes Brass different? Before Brass's Riff mode was introduced, composers had mainly two options: work with a sampler or select in a loop library. With a sampler, musicians can easily perform the recorded sound of each instrument on their keyboard. Unfortunately, this simplicity often has a price: a certain lack of expression, flexibility and instrument control. Once the performance is captured within the individual sample, it's difficult to modify the performance into something resembling a live player. Also, the research to find the right sample can be long, tiresome, and often does not match the productivity criteria set by the music industry today. The second method, the loop library, is a database of small, previously recorded musical phrases guaranteeing an expression and interpretation closer to reality. Unfortunately, the downside of the loop is that we cannot modify the content, articulations, tone, or the mood; this strongly limits the musical usefulness of the recorded phrase. Brass offers another option that truly allows you to be the creator of your music. |
|
Support RecordingReview.com - Buy Here!
|
|||
|
| Ads |
|
|
|
| Thread Tools | Search this Thread |
| Display Modes | |
|
|