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| Mastering Confused about mastering? Who isn't! Let's take the myths out of mastering. |
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I am using cubase LE and having some problems with what the final song sounds like. I recorded a band that has 2 guitars, bass, drums and vocals, about 18 tracks in all.. When I export it to the mixdown it sounds muddy and I can't find a way to eq the final output.. I have been using soundforge to eq the final wave file, it sounds alot better by adding some boost to higher frequencies, is this the normal way to do this? Also, even though the song is close to clipping on the output, the final song is not very loud (compared to a regular CD) Thanks for any help on this... |
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Thanks for that info... I guess I will have to really look at each track's eq... I am not a big fan of the eq tool on the tracks in Cubase LE.. Is it worth upgrading to one of the regular versions of Cubase? |
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Not sure if this will help..... I have been getting fairly good mixes as far as clarity by getting rid of the low end muck on the individual tracks. But when I mixed down it was loosing the clarity and sounded muddy. After reading somewhere in this forum I read about Ditthering (spell check) Do a search on Ditthering. It is a method of saving the high end during mix down. I would not do it any justice to try and explain..... But it works!
__________________ Guitars: Line 6 Variax 500 B.C Rich (American) Martin JB-16 ESP 5 String Bass Amp: Line 6 Vetta II (Love this thing) Drums: Alesis DM5 with Roland triggers Alesis SR-16 Boss DR 770 Keys: Korg Triton LE Interface: Line 6 TonePort UX8 M-Audio Delta 1010lt Software: Nuendo 2.1 Mics: Shure SM58 Peavy ? Samson Co3 Samson ? Last edited by Scorch; 02-26-2008 at 09:54 PM. |
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There are better sounding EQs out there. That's for sure. However, they will use up drastically more CPU power. Quote:
Brandon |
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I got clarity on the tracks by cutting out the low end. This was not where I was having the problem. My problem was loosing the high end by mixing down to a lower bit rate. Ditthering fixed the mixdown problem I was having. (I edited my previous post above to make more sence) Sorry for the confusion.
__________________ Guitars: Line 6 Variax 500 B.C Rich (American) Martin JB-16 ESP 5 String Bass Amp: Line 6 Vetta II (Love this thing) Drums: Alesis DM5 with Roland triggers Alesis SR-16 Boss DR 770 Keys: Korg Triton LE Interface: Line 6 TonePort UX8 M-Audio Delta 1010lt Software: Nuendo 2.1 Mics: Shure SM58 Peavy ? Samson Co3 Samson ? Last edited by Scorch; 02-26-2008 at 09:57 PM. |
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I just want to mention that this is also an issue I come across a lot. I end doing some EQing on the 2bus after I finish the song (mainly to make it compatible and similar to my previous songs so they will flow well on a CD, and to make the song sound good on different stereos). I always wondered whether it is better to go back into the individual tracks and try to fix it there or just do it on the 2bus, and I think Brandon, you answered the question. I have to look into this dithering thing. |
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Depends. I usually go to 16 bit then. If I know I've got mastering left to do I mean keep it at 24 bit, but it really depends on the project. Modern rock stuff isn't going to matter because it's so damn loud that it won't ever use all those bits anyway. The bit depth becomes more of an issue when recording stuff with extreme dynamics. Brandon |
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__________________ Dropping the Whammy....1dB at a time _____________________________ Stephen Marsh Mastering Hollywood, CA 90038 310 598 6038 tel 5685 fax www.stephenmarshmastering.com _____________________________ Last edited by StephenMarshMastering; 03-17-2008 at 07:05 PM. |
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| bass, cubase, drum, drums, instrument, issue, mic, mix, mixing, mp3, music, pro tools, problems, recording, rock, song, studio, vocals, wav |
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