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![]() ![]() Shure SM 57 @ Musiciansfriend ![]() Shure SM 57 @ Zzounds One of the most popular professional instrument/vocal microphones of all time. This dynamic mic is a reliable, natural-sounding performer, night after night. Its durable, bulletproof design stands up to road travel and abuse. Perfectly at home in the studio too. Its wide frequency response (40Hz-15kHz) and tight cardioid polar pattern are ideal for close-in miking of speakers. |
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Quality: 10
Both in terms of quality construction and in the ability to do it's job in capturing musical ruckus in the room, I consider the Shure SM57 to be bulletproof. From a construction standpoint, I know of no one who has ever broken one...EVEN ME (and I break lots of stuff!)!!!!! The Shure SM 57 is a "character mic". It won't sound pretty on everything. However, I find it to be one of the most versatile mics I own. I can't think of an instrument I haven't used it on. While the SM 57 is famous for use on snare drum top and electric guitar amps, I've had great luck with it on everything from vocals to acoustic guitar. (Note: The I'm talking about the kind of acoustic guitar that needs to cut through a dense mix. A SM 57 is not my favorite "pretty" acoustic guitar sound microphone). Reliability: 10 I don't know if a more reliable product has ever been produced. The Panzer tank was destroyed more often than the SM 57. Then again, I've never tried firing missles or bullets at a Shure SM 57. Then again, if I had to shoot any of my mics, I'd be most confident the 57 would live through it. I can't recall on a single occassion ever once having a problem with the a 57. Overall Rating: 10 Is the SM 57 the best mic in the world? Probably not. However what it does well, it does really well. You can't break them and you can't beat the cost. I consider the Shure SM 57 a must have for anyone doing any recording where they need the slightest hind of versatility. A Shure SM57 is a great starter mic that you probably won't over outgrow regardless of how big your studio gets.
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Quality: 10
Excellent. I can not speak for what is being manufactured today. I bought both of mine in 1978, and they are still going strong in my studio. Reliability: 10 As I mentioned under the "Quality" section, I've had them for 30 years now and for 20 some years they were on the road with me. For the past 10 years they have been in the studio. I only wish ALL things we purchase could be so reliable (musical instruments and non-musical items we need and use daily) Overall Rating: 10 Typical SM57 with windscreen. Lot's of scratches from years of action on the road and in smoke filled bars. One other thing, it is odd that I paid pretty much the same price 30 years ago as I would if I purchased a new one off the shelf today. I may have even spent a few dollars more on them back then. Oh, well, no matter what, I really made a great investment on those suckers. BTW, when I see all TENs, I question the reply, however, I don't see how anything that performed the job it was designed to do every single second it was plugged in over a period of 3 decades can be rated anything but a big fat 10. |
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Quality: 9
After renting several high dollar condensor mics and struggling to find the magic missing sound on my vocal, I came to the conclusion that aside from dealing with "P"s popping and not wanting to use a pop filter, there is no mic that sounds better on my vocal. Plug it into an RNP and try it on a vocal. Pretty amazing...... Works great on guitar amps and snare drum. Works okay even on acoustic guitar. Not my first choice on acoustic, but it will do the job. Reliability: 10 Absolutely bulletproof. I have had SM57s (and SM58s) roll of the top of a 5 foot tall bass cabinet too many times to count and they still work fine. It is reliable also in the aspect of aim and shoot. If nothing else sounds right on a source, put an SM57 on it, play with the placement and record. It may not be the "best" mic you could have used on that source, but it will provide a usable tone that you can EQ to taste. Overall Rating: 10 This is my desert island mic really. If I could only have one mic, I really think this would be it. Simple, no bells or whistles, but very reliable and predicatable. Every newbie should at least try to record something with one of these to see if they should buy it. |
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Quality: 10
Sleek, streamlined, and a studio icon. Who could resist the SM57? There's no secret to this microphone. Just point and shoot at a snare drum and you're set. However, it also proves its worth in basically every application you can think of. Even vocals - the secret here is a powerful preamp. From that point, you can get some amazing sounds. Reliability: 10 Dropped it, spilled an entire 8oz. can of ginger ale on it, and even had an untrimmed string on my guitar that was partially stripped (and VERY sharp, easily punctured me and made my hand bleed) swing around and drive 2 inches into the windscreen when I swiveled around in a chair after recording an acoustic guitar part. Works fine, always will. Overall Rating: 10 Honestly. Is it even worth reviewing anymore? This thing is great. The fact that the price has always been at what it is now is just mindblowing. It demonstrates the real value of this microphone. |
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For pretty acoustic guitar sounds, I grativate towards condensers. I've used many with success. I use my AKG 414 the most, but the Oktava MK012 is cool. I like my MXL V69s A LOT on acoustic guitar but both of them are dead at the moment.
Brandon
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