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I love thir new album. I've always liked Nickelback's music, but this album, and their last, has kicked way more ass then the ones before IMHO. I love the style of the guitars; chunky riffs with serious attitude and groove. Their drummer is amazing as well. I read somewhere in an interview that most of the guys of Nickelback are actually metalheads at heart. The singer admits to being able to play two-hand-tapping solos incorparating every finger of both hands simultaneously, but, he says that "that shit don't sell." He openly admits to being a sell-out. It's all about the money. Good for them...cause they are excellent song writers. If I had the means, I'd do the same thing without any reserve. Beats the hell out of a traditional job or career!
__________________ METALTYME __________________ |
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as much shit as they get because of what gets put out on the radio, they have got it figured out. Every album they've got the 3 or 4 songs obviously written for the radio but the rest of the songs on the album are done there way.
__________________ for sale. ~Gibson Melody Maker - 315 shipped ~Yamaha B100 Bass Amp - 140 shipped ~Marshall AVT50 watt head with case - 325 shipped ~2 Studio Projects VTB-1 Preamps 90 a piece shipped or 160 for both shipped. ~Alesis SR-16 Drum Machine 95 shipped ~Johnson J-Station $100 shipped |
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I honestly find it shocking that there are musicians/songwriters/producers that actually listen to Nickelback. I always assumed that only people who have no real appreciation of music could like a band like that.
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| I try to keep an open mind. I don't particularly enjoy listening to Nickelback's music, and I wholeheartedly agree that they are complete sellouts, however anyone who considers themselves a musician, songwriter or producer should realize that this music is popular for a reason, and try to find the good. From a recording perspective, there is a lot to analyze on any pop recording. No matter how crappy the music, you can definitely learn a lot from listening to the style in which the songs are recorded and produced. From a songwriter perspective, it never hurts to learn what it takes to please a crowd and try to incorporate that into your style. No, I'm not saying sell out, I'm just saying that intentionally ignoring any type of music, never helped anyone.
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i dont really care about sellouts. people who scream sell outs are usually a bunch of hypocrites and the ignorant. (oh no i am gonna get bashed for this one! ahahah). i agree with the fact that they are excellent musicians. only extremely good ones can produce a simple catchy music. |
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if johnny cash was amazed by Bohemian Rhapsody. johnny cash man... a legend on his own, playing a different kind of genre, listens to stuffs put out by other artist, no matter what the quality is, then i suppose we should do the same. besides if you know what's bad, you will avoid making those. |
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Mutt Lange produced albums are actually lessons for 'How to choose the right drum sample for your live drums 101' and 'how to choose the right drum sample for your live drums and make girls horny 102'. (how else do you think he got shania twain?) i love it not because its the best sound ever, but it is so carefully crafted that it sounds great on the cheap/expensive speakers/monitors, earphones, headphones, etc etc. kinda like timbaland's kick drum in his music. |
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I, on the other hand, don't compromise my values that easily. I like integrity in my music. I like emotion in my music. I want to feel what the singer is singing, the guitarist is playing. And dammit, sometimes you just can't squeeze all that into a 3:30 pop ballad. Sometimes it takes a 4:32 guitar solo to fully express these things. That being said, I bought this album (because of another thread on this very forum) about two weeks ago. I've listened to it several times; sometimes critically on my Sennheiser HD650 hifi headphones, and other times just in passing while I'm at the computer, on the living room stereo, in the car, etc. The conclusion I have come to is that I love this album for the same reason I love Justin Timberlake's 'Future Sex Love Sounds'. The songs may not move me, but the production value is undeniably incredible and useful. Right off the bat, the drums are reminiscent of 'Pyromania'. The electric guitars are THICK and HUGE without being overbearing or muddy and swallowing up the whole mix, not to mention they don't cover up the acoustic guitars in the songs that have them. Plus, the timbre variations not only from song to song, but from guitar part to guitar part, is great ear candy. The countless varying vocal techniques used (overdubbed moans and shouts, delays, unique panning for split second parts, distortion, swells, to name a few) keep things from becoming stale. Parts where the guitars drop out and the bass drives the song does the same thing. These are just a few things I can think of offhand that I really enjoy this album. It definitely does sound like a Mutt Lange production. This is especially noticeable in the drums and the swells. Quote:
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__________________ For those who keep asking, it's a picture of MUMs, as in my name is MUM. "Recording is stupid." - Brandon Drury ![]() My philosophy - If you don't agree with me, you're wrong. |
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| acoustic, audio, beatles, cover, drop, drum, drums, live drums, mix, music, record, recording, rock, sample, singer, songs, studio |
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