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| Band Marketing and Promotion Discuss strategies to get more people listening to your music and coming to your live shows. |
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I am not a person to sit and listen to music that does not have a vocal line. I'm not heavily impressed with improvization or even jazz. I like jazz, I like to listen to improv once in awhile, but when I'm driving down the highway, I'm singing. I personally hear the vocals first, instruments are secondary. I love to sing though. Don't get me wrong, a good guitar solo gives me chills and thrills, but I won't listen to a song just because it has an excellent guitar solo sandwiched in the middle somewhere. If there's no vocals, the song doesn't have a chance to make it to my "favorites" list. So to all the instrumentalists out there, do you hear the vocals first too, or are you more likely to listen to the instrumental parts? Is this how you fell for your instrument? |
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From my experience, the band with the best vocals gets the next gig. They'll over look some shortcomings in the band performance, if the vocals are there. I'm a vocalist, but this is not biased, but you'd be hard pressed to find a producer/manager/record exec who would say otherwise. No vocals? Ok. Bad vocals? No.
__________________ Shure SM58/57 ~> M-Audio FastTrack USB ~> Adobe Audition 1.5 (Record Trax) ~> FL Studio (Arrange, Mix & Master) ~> Yorkville YSMP2 |
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1) Vocals 2) Drums 3) Bass 4) Everything else
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This is a tough thread to answer. I say great melody is first (maybe vocals, maybe something else). Groove is second. Quote:
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Brandon |
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In my opinion, if a song doesn't work on it's own with 1 guitar (or piano) and 1 vocal, it needs to be rewritten until it does. Second place - vocals - they need to be heartfelt more than they need to be perfectly in tune. There are some singer/songwriters that I love in spite of their voice and there are admittedly some that I just can't get past the voice to appreciate. But I really can't stand a big voice that has tone, pitch and power without an ounce of sincerity. And if the voice is bad AND it's not heartfelt, get 'em outta here........ I am a bass player and being part of the rhythm section is my life and has paid a lot of bills over the years, but a great song like "Goodbye Is All We Have" can be played by someone like Alison Krauss and Union Station and even though there is only the slightest hint of drums, mostly cymbal rolls and a few tom hits, the song is just an incredible track, driven along by the acoustic guitars, mandolin and dobro and a lot of space. (Proof that great things CAN come out of Nashville!) I am looking into the bluegrass production concept of upright bass and mandolin chops covering the role of kick and snare, even on some pop country songs. As much as I hate to admit this as a bassist, I think the rhythm section is optional. (I know this doesn't go for metal and a lot of styles that I don't write in.) Keyboards, guitars and the other mid range support instruments are kind of interchangeable to me, even though I am really guitarcentric. My songs could be interpreted on guitar just as well, even though they would sound very different. bilco |
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| "what's the most significant part in a band?" 1) groupies. if you dont have them, chances are very good ur band sux. 2) groupies. if you dont have them, it leaves an opening for a gurlfriend to ruin the band. 3) groupies. the more there are, better the chances that the drummer wont screw the guitar player's gurlfriend -thus preserving the longevity of the band. ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]()
__________________ freedom is obsolete. for your convenience, only the right choices are now available. |
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| acoustic, audio, beatles, cover, drums, goodbye, guitar, home, instrument, issue, midi, mix, mp3, music, record, recording, rock, singer, song, vocals |
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