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| Cubase Learn tips and tricks to the popular midi sequencer, Cubase. This includes every version of Cubase ( LE, VST, SX 3, 4) |
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The advantage of bussing the tracks to an aux and compressing/verb'ing there is that you only need to use one compressor & one reverb. If you put compressors & verb's on the individual tracks then you have multiple instances that you need to spend time tweaking individually. There's also that matter that if you mix (bus) the tracks together and then compress them they will "breath" together (i.e. the compressor will affect them together) rather than two compressors affecting each track in a unique way. If you're unfamiliar with compressors this may be hard to make sense of, I know. So, there's nothing "wrong" with either approach. Using a bus can save you time and processor power but it can also reduce your flexibility (i.e. compressing each track differently). Reverbs tend to be rather CPU hungry so if you have a lot of them running you're likely to over-tax your computer. Put one on an FX send and use it for multiple track sends.
__________________ - Sparqee __________________ Cubase SX3 RN Compressor RN Leveling Amp Aphex 109 Tube EQ Lexicon MPX 110 Great River ME-1NV Pre ART Pro MPA pre AKG, Rode, AT & Shure mics Mackie CR1604-VLZ mixer Yamaha Motif Rack Yamaha S90 Pod 2 Access Virus C EMU Planet Earth UAD-1 |
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okay i figured out how to work my busses and thanks for the info, it actually makes sense. i had so many compressors and inserts my track kept skipping badly. what about mastering via sending to a bus? i have a limiter insert but not sure how to work it exactly
__________________ "Anything too stupid to be said is sung." - Voltaire (1694-1778) |
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