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They sound great... my only down-thought is that they are overkill. The shear number of samples. Really? Anyone need that many?
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Doesn't much of that have to do with the control you have over bleed? It seams that this allows for exponentially more combinations of tone and therefor extra GB of samples.
I'll tell you what, though. As a guy coming from the other side of the fence, I'm not sure how I would live without that bleed. It's extremely important for me to sound "natural". I want to fool my old clients into thinking that I have simply "gotten better". I don't want any read flags going off that my recordings are "too clean".
Of course, I'm just spitting off what the marketing has programmed me to say. We'll see if I'm still saying this in a month! ;D
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If you are extremely limited on cash and plan to write and have limited experience programming or don't have an e-kit.... EZ Drummer all the way ! ! ! ! ! ! ! !
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Hmm. That does sound like me.
However, I don't want to puss out here. I don't mind taking the more advanced, hand on road if I can eventually become a badass with full control over my sequencer. Then again, if EZ Drummer is a valuable writing tool to you, Dach, maybe that's the approach I need to take.
The ultimate goal is for the midi part of recording to be as seamless, efficient, and quick as possible. I want to get a person's ideas down immediately, switch to some samples, adjust some levels, and have a solid rough mix. I can spent hours agonizing over the details later.
I'm not THAT short on cash, I'm just trying to figure out where I want to put the little cash that I do have. If EZ Drummer can speed up the writing process, it should be worth the price. If I remember correctly, it was listed at $165 on the Toontrack site.