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| Misc Music Stuff A category for music stuff that doesn't necessarily fit anywhere else. |
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| Quote:
Brandon |
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I'm not saying that it doesn't go through their minds, I'd just like to think that they're unaware of the impact it may be having on their decision. That it all happens under the surface. Subconsciously. Because the thought of someone consciously deciding where they're going to be investing thousands of dollars toward their education, toward their future, is depressing at best. But you do have a point. The overall stupidity of humanity on the whole baffles me on a daily basis. That's why I don't watch TV. ~Josh~ |
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| lol, I was just saying that because you didn't go through the dirt road, and didn't make a fake license. It was just a joke, dont worry about it lol
__________________ For another awsome forum check out http://www.grooveboxmusic.com/forum/ |
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Sorry to dig this old thread up, but it caught my eye... Quote:
The publisher is the key. A publisher (as far as I understand how this all works) cannot deny you a license (and a license is what you're requesting) for a published work. Once a work has been published (and there's nothing to say, one way or the other, whether that tune has been formally published) it's available for anyone to use, rework, extend... in other words, "cover" etc Copyright is another matter entirely. By obtaining the Pub license you're clear. And forget that complete BS from Nintendo because... well, it's BS! Now... is it possible a tune is copyrighted, and released and unpublished? Never heard of that happening before... but you never know... it certainly sounds like a legal "in-limbo" kind of mess. Related Story: We wanted to cover George Harrison's "Something"... man, what a minefield. We got no joy from the contact info available at bmi.com. We tried and tried to get responses from various possible handlers of the estate. In the end, we ended up talking to (and I mean no offence by saying this) someone over email who "sounded" like a 14 year old kid. As far as we could determine, HE was the person to speak to but he had no clue what he was doing. Anyway, cut a long story short, we didn't pay anyone, despite our best efforts. We kept all the correspondence (if you can call it that) and went ahead regardless. Why? Because it's a published work and it cannot be denied a license (despite us not being able to obtain one in a physical sense). Hope this gives you some pointers... Ruzz |
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If I am not mistaken, academic treatment of the work would fall in the 'fair use' clause of the copyright, even if it was hosted online in an academic setting, would it not?
__________________ My Demos |
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| If I'm remembering what I read back when I was really pursuing this right, no. As I recall, it would only be fair use if it was played (not distributed) or streaming (in the case of online classes) as part of the curriculum for a class, and it was only made available for students in that class.
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| cover, home, issue, music, performance, problem, student |
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