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| Misc Music Stuff A category for music stuff that doesn't necessarily fit anywhere else. |
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I love this. I would swap out the word "woman" for "girl" toward the front. I might EQ the master a bit differently and thin it out considerably, almost to the point of anorexia. Oh, and too mics on the kit. Still: awesome.
__________________ It's almost common sense. |
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Thanks, Garageband. You're exactly right as to how I should have mixed/eq'ed. Did one version sort of like that, but the less anorexic/authentic version sounded sweeter. I'll post a more 1963-sounding mix. BTW, the drums are an electronic drum kit. Now, where are you other Beatles fan-boys (or girls) and your tracks? |
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While waiting for the tsunami of posts to arrive, I re-mixed using the (free) Izotope Vinyl plugin. On the individual tracks, cranked down the vox volumes about 2db and the drum volume around 4db. Then processed it thru Izotope in the 2bus with these settings: Input Gain -3db Wear 10% Dust -26db Year 1960 RPM 45 On the version "with scratch" added 1 scratch at -50db. jjb |
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Haha, wierd. I was listening to the 'white album' as I saw this thread. I have actually been listening to all their stuff a lot lately, in fact it's pretty much all I've had on for the past month now that I think of it ![]() Been pondering doing some writing in that vein but haven't had the time - hopefully soon. By the way, really like your track, and the one processed with Vinyl sounds great. Gonna go take a look that plugin.... |
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I got the new Beatles stuff at the start of September for my radio show. What AMAZES me about the digital remasters is that what I (as a kid learning usic) perceived to be tight-as harmonies and tight-as drumming are actaully looser than (fill in the gap). Lennon and McCartney DON'T sing in perfectly phrased hamronies. One's ending a word as another gets half way through etc, or one of them comes in "late". On one track (I don't recall which, the tom-toms (hand played - congas??) on the first verse are mixed as though they'd been put between the singer and the mic. Then, on verse two, they move to one side and way further back. The entire remix has been done tatsefully and it's been allowed to expose the flaws. Kinda set me to thinking maybe they were SO good because they were factory timed, click track perfect, automation edited like so much of the c**p we have to put up with today. |
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I've yet to understand the point of a re-mix/re-master in many cases : ) Mobile Fidelity did pretty good in not messing with the enjoyment factor.
__________________ pss790, K1, d-5, x-fi notebook, !live and vortex2, turser p90 sg, Ibanez steel string, Bongos, Washboard, etc. : ), Roberts 770 w/dual EF86 mono-blocks, cedar ridge acoustic |
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| I really like your song, and feel you've quite captured that "Beatle" feel. Your first mix seems a wee bassy, but years of amplifiers has taken its toll on my high end hearing. Could be my headphones, as well. Your vinyl mixes are very enlightening as that is how we all had to listen to music back then. We only had two worries in the 60's....did the record skip, and which way do you hold your AM transistor radio...towards NYC, on it's side, surround sound...that meant the radio was surrounded with hair curlers..lol
__________________ It's always darkest before it goes pitch black. |
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Joker: Thanks, and yeah try it out. Its easy and does a good job. OldDog: Never thought much of my voice; I always did backup singing. Thanks for the comment. Nymph: Thanks. My high freq hearing went out with the constant barrage of my Fender Twin Reverb at 10 and me right in front of it at all those bars and clubs. Great insight into the 60's from one who was also there. jjb |
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| beatles, drum, drums, electronic, mic, mix, music, record, singer, songs |
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