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Whats up bro hanksta here. Current live rig is 2 half stacks. Hiwatt OL103 lead 100 thru 4x12 Fanes and Randall RH200 thru RS125CX. My master vol on both heads right at 10 oclock not loud but thick. I dig the interaction of both tubes and solid state at the same time. Solid state gives me the cut while tubes **** me all over. Having 2 heads covers me in case 1 goes down. Effects loop on the Randall I have a Boss DD3 and Boss Noise Supp. Hiwatt straight up. Small clubs I use a pedal board thru both clean channels. Guitars , I was just laid off from G & L here in Fullerton where I worked in the wood shop. I have a few Invaders with Dime-buckers and Invader pick-ups in the bridge and ****er stuff in the neck. We play hard rock some say its metal but not me. Sometimes I use a Marshall 2203 but lately its this rig. We're a 4 piece and I play the rhythum. Gotta love it. As soon as I find out who stole my camera I'll wing you some pix. Over and out boss. hanksta
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I wouldn't call my set-up a rig but I have:-
A Ibanez RG2820 Special Edition in vintage violin. A beautiful guitar. A Line 6 Spider II 212. Does it all, well most styles. I'm pretty happy with this set-up I can get great tones and I can use it for most things like pop to metal to blues. |
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Nothing fancy.
Washburn DD6 Yamaha RGX-112 Fender M-80 Chorus Amp
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![]() MyCrap Space | SoundClick Songz/Samplez | DarkTown Studios Shure SM58/57 ~> M-Audio FastTrack USB ~> Adobe Audition 1.5 ~> Yorkville YSMP2 |
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Nothing for live play, I'm just an "at home hobbiest"
I use a Yamaha EG-112C with the fretboard colorcoded to help me orient myself. I also have a Talman TCY-10 Accoustic Electric for unplugged fooling around. I run the yamaha through a Digitech RP-300R which has been able to produce any tone i want with enough fiddling, i usually just use the presets on it. At the business end is a Roland Cube 30 Amp with some built in effects but i hardly use them since i have the Digitech. It's loud enough to really jam on at home and clear enough to tone down when the wife is around. I only recently started screwing around with recording and i have a copy of Reaper to experiment with. For Drums my Wife's synthesizer has an adaquite drum machine built into it. The Digitech's headphone jack has recently been the recipient of a double male cable connected to the mic jack of my computer's soundcard thus my 'home studio' was born. working so far but i would love to hear recommendations to improve my stuff on a budget. thanks to everyone who contributes! |
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Egnater M4 - insanely versatile modular tube preamp into a....
Eventide Eclipse into a... VHT 2-50-2 into a... marshall 4x12 wired stereo If i'm feeling really ambitious, i'll add a second clean amp and blend the two tones together. It's amazing what adding a clean and dynamic tone to a second clean and dynamic, or raging overdriven tone can do to fatten things up and add articulation. the M4 and Eclipse are controlled with a Rocktron All Access... all bought from Ebay used. |
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I have a simple rig that is the biggest beast on the planet live, but when i record... Its just terrible... Mic positions and my terrible room and the fact that i cant crank my amp to 11 may be factors there.
93 PRS Custom 24 (Versatile as hell) Korg DTR2000 Mesa Boogie Dual Recto (3 ch) TCE G-Major in the loop Mesa Road King 4x12 (Two V30s and two "Black Shadows") Sm57 and Audix I5 mic |
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Guitar list:
Ovation Custom Legend 12 string Takamine Classical Jackson RR1: pearl black, floyd rose, invader Sanchez Custom Shark: red, Floyd rose, Invader Alan Hamel Custom: Pink Polka dot, Floyd Rose, Invader Amp list: Soldano SLO100, Soldano 4x12 Eminence custom wired stereo 2x12x2 @8ohm or 4x12 @ 16ohm 1979 Marshall JMP MkII master model 100w lead 1979 Marshall JMP MkII Master model 50w lead 1979 Marshall 4x12 straight w/greenbacks 25w 1979 marshall 4x12 slant w/30w celestions Dunlop jazz III picks! TC Electronic G major TC Electronic 2290 and various Boss pedals Ernie Ball Vol pedal Korg DTR100 rack tuner Thats about it!
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