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Never been a fan of the Peavey amps. I used to have one, but it just sounded so fake I had to get rid of it.
__________________ For those who keep asking, it's a picture of MUMs, as in my name is MUM. "Recording is stupid." - Brandon Drury ![]() My philosophy - If you don't agree with me, you're wrong. |
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You don't know how to mic it or set the eq, period. The 5150 has been used on more recordings than you can count without passing out. If you think your cleans are iffy, get a 12AT7 and put it on the clean channels preamp slot. Get a Ibanez TS7- its forty bucks. gain on nearly 0, tone and level on 5 (12 o clock). Run this in front of the amp. Distortion settings: (number, not clock face) Pre-6 Low-6 Mid-2 High-4 Post-2 Resonance 6 Presence 7 Any Celestion V30 equipped cabinet, find the best speaker (with your ears, they all sound drastically different, trust me) mic it on the crease of the dustcap and cone with a SM57/SM58/Audix i5/Sennheiser 421MD/Shure SM7 (if you're daring). If it doesnt sound good, its the player, the gear, or the room. You shouldn't have to do much to a guitar tone EVER to get it to work right. The source is what counts. Not trying to be blunt, but I might as well get straight to the point. |
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I dunno man, I'll play with that. I wasnt really talking about recording either I just meant in general. Im still kinda young and I guess its recent that I actually started thinking about my tone. Before that i would just play and not really care what it sounded like. It just sounds to me like that amp is outta control. Really loud, but just nuts. I had a dimarzio deactivator put in my ibanez and it would just feedback most of the time. we'll see. |
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| mic, plug in, recording, sound |
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