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* After several years of trial*and error I have developed a tuning method that's far superior to the traditional methods that we were taught when we first started playing.* Guitars are mathematically incorrect and they MUST be "temper" tuned to sound really right! The conventional tuning method is a COMPROMISED tuning method that really doesn't work! More... |
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I dont know about anyone else but I have always found that using my ears has been the best method for ensuring my guitar is in tune in different parts of the fretboard. By playing the individual notes in a few different chords at different parts of the neck if you listen closely you will hear slight wobbles (different wavelengths) in the harmonics underneath the root notes telling you if the strings are in tune with each other or not. Tune strings sharper or flatter til the wobbling harmonics become the same and stop wobbling. I only use a tuner to get a reference point for E or whatever tuning the song is in. Does anyone else use this method? |
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I don't think it's mental. This trick really works! Brandon |
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Those "wobbles" that you hear are called beats - they happen when you play two simultaneous notes that are very close in pitch, but not quite. As the two notes get closer together, the frequency of the beats slows down until both notes are the same. (A quick search on google turned up this page...) I remember our psychoacoutsics lecturer in college telling us that that's what he used to tune his guitar - basically play 2 notes that should be the same, and fine-tune the offending string until the beats disappear. Of course this method also will only tune the open strings together, so you'll still end up with the standard problems of being slightly out the further up you go. That said, I always thought that the reason you set the intonation was to stop this happening, no?
__________________ “We will kill for blood and money. Day and night, the hunt goes on!" Stanton's Grave |
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I always tune by ear using harmonics. Tuners are just new to me this last year and I use them for reference. I always have Communication Breakdown in my head that I tune to. And several variations of "Over the Bridge".
__________________ pss790, K1, d-5, x-fi notebook, !live and vortex2, turser p90 sg, Ibanez steel string, Bongos, Washboard, etc. : ), Roberts 770 w/dual EF86 mono-blocks, cedar ridge acoustic |
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Interesting article I've noticed as time has gone on (and I've not been playing that long, about 7 or 8 years) that my reliance on what the tuner says is in tune has diminished and I just go by what sounds right. I play extended range instruments mainly; I've a couple of Ibanez 7's and one of their 8's too. And especially with the lower tuned strings I have to aim slightly flat when tuning to compensate for the raise in pitch once the strings have energy. Not that I'm an aggressive picker, mind. I know people who have picked my guitars up and made them sound terribly out of tune purely because they dig in so much. Another thing I notice is the G string - what the hell is it with that string that it can be perfect in an open chord, and sound like ass when played higher up? Even on a well intonated guitar? But yes, a good article. I'll try this method out next time I retune! |
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I use a BOSS TU-2 tuner. I like the regular tuner mode. It also has the strobe method. I have been mostly using my Ernie Ball seven string with the piezo guitar bridge. I have had a lot of luck with tuning on that guitar. I do a lot of bending, some whammy. My strings also seem to last longer on that guitar. The weird thing is I barely play my other guitars, except for ones I need special tunings. I have an ESP ltd that is in serious need of freaking sperzel tuners. I think the tuning is mostly based on the guitar ,how it is setup, quality of the strings, as well as it has to do with playing technique. I am very sensitive to out of tuneness. I can't watch American idol. |
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