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| Bash This Recording Post your songs and mixes up for Bashing. Songwriting, performances, recording, and mixing will all be judged. |
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Hello there. Firstly, don't take my words too harshly, I'm gonna be constructive hopefully with what you've put here and be just honest. First, you aren't doing yourself any favours I'd say putting the track up in this state. I mean that it doesn't show anything about a quality of recording other than it just ain't good There are some interesting elements to your song but they don't come across at all with what you have here. A good effort though and I do hear what you have to play with, but I'd say you need to approach any presentation of the song in a different way.Second, maybe just use the tracks you have to record with, to record the drums by themselves first, then slowly build the song up in the usual manner using a POD or similar: mix the drums, then bass, guitar, vocals, etc, and make it a proper piece to produce. At the moment it is too abrasive and I do imagine you want people to stay to listen to it, but it'll slice everyones ears off as it is! Put some time in to get a good sound and you'll get many others commenting on it I'm sure then you will hear better I'd say where you're going wrong with playing or any other area. Good effort though and I hope I didn't bash you too hard!!!Nik Last edited by phuckaar; 10-05-2008 at 01:30 PM. |
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Pretty good for a live take, but phuckaar's got it right - you'd be better off re-tracking each instrument one at a time. The tempo change in the middle of the song is cool, but it's not an easy thing to do for any band, especially "live". Using the orginal track as a guide and playing along to it with each instrument one at a time, starting with drums as phuckaar said, will relax the pressure on everyone to have a perfect performance. This way, a mistake by one musician doesn't require everyone else, who may have had a flawless performance, to start over. This way, too, you have more mics and your choice of whichever works best for each situation. Snare - mic it directly - it needs punch. EQ later will help, but you can't really add something there that didn't exist, merely enhance or reduce what was recorded. If you have no room to isolate the drums from the monitoring speakers in the recording area, use headphones to get a good mic placement on each drum. 1/4" can make all the difference. Angle is huge, too - straight at sound source yields a completely different sound than across the sound source, and depends on the pickup pattern of the mic type. Experiment like crazy - you'll learn a ton. The bass isn't bad for being mic'd, but you might want to try a combination of micing the amp plus a feed straight from the amp's preamp out, if it has one. That way you can blend for the best punch and clarity plus amp sound. Overall, I think you just need to get better quality recordings from each instrument, with regards to mic choice and placement, so that you have better quality to work with when EQing and adding FX, etc. If you're serious about recording the whole thing live, things need to be tightened up a ton musically, as far as playing together and "on beat", but it can be a great thing. Try a lot of these techniques either way, so you can get a better sound, no matter which direction you go. |
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Thanks for your input, I really expected harsher criticism! |
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| Yes, I know the drummer has timing issues, I have a special hammer for him! And all of us need to get better. Thanks for your advice.
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| Tags |
| band, bash, bass, cheap, cubase, drums, guitar, instrument, live, mics, mix, mixer, multi, multitrack, recording, shure, snare, sound, vocals, vst |
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