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I have gotten a fatter and fuller sound on vocals by simply duplicating the track.
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I had done that before by duping the vocal track and panning each one hard right and left. I would also move the duped track over by about 20ms to get a nice delay.
I had the vocals mixed that way for a long time then had a realization one day. I noticed when listening on headphones to commercial CDs that a lot of songs use a technique where the lead vocal is in the center and the backing vocals are panned hard left and right. It gives a really wide feel to the chorus of a song.
I tried to figure out how to do that and stumbled across leaving just one lead vocal track panned in the center and only duping the backing vocals which are panned hard right and left.
I used to duplicate all my tracks except for drums and started to notice that it doesn’t seem to be the way the pros do it?? When I duplicate a bunch of tracks it seemed to mess up the stereo image.
I started hitting the delete button on all my dup tracks except for the guitars!! Those are actually double tracked not duped. Anyone else want to chime in and recommend a “guideline” on where to pan a vocal, whether to dupe them, if you do duplicate or double track where to pan each track etc.?
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Ya know I kinda like the guitar sounds.
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Thanks!! Funny thing is, there is a heavy dose of EQ on them. The raw tracks are crap. I broke Brandon’s cardinal rule of not using an eq on guitars!! Lately I have been able to get better sounding guitars with less treatment, but I am glad to hear they don’t totally suck. Thanks for the tip on the first solo, I'll bring it up a little more in the mix.
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Looking for advice on compression
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Anyone want to offer some tips here. I still find a compressor a mystery... I have talked to a few guys with more experience and they all use compression heavily. I find I only like it on drums and little on vocals. I also noticed that the only way to make a mix loud is to slap a limiter across the master bus. Not a big fan of that either. Am I over doing it or do I have this compressor thing figured out?? I see a lot of stuff about “smashing” vocals etc. I find when I try to “smash” something it makes it sound worse…