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Hmmm, I thought it felt right, but I'll play with it some more. No I'm not really trying to conform to a model, but I do notice many of the folkie singer/songwriters I like have the vocals way out front (some way more than this song actually, but then, most of them have nicer-sounding voices than mine.) Another thought, the song gets "busier" farther into the track, so the vocals stand out more at the beginning, whereas they might get buried later on if I turn them down too much. I'll try dropping them another 2db and see what happens. Thanks |
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Okay, I take it back. I cut the vocal track by 2db, and sure enough, it's still clear all thru the song, but the overall feel is better. I did notice some "boominess" in the kick drum became evident when I cut the vocals, so I put a touch of compression on it. Here's the update: http://www.kyleknapp.com/audio/rroad20070125b.mp3 |
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That boominess sounds like the loud bass. I realize this isn't hard rock, but the kick is basically inaudible on my computer. I'd cut the bass back 2dB and call it a mix. The vocals are still very up front, but I think we have a song now. I'd like to hear some folk music with vocals way more out in front than this song. Can you give me some examples? Unless I'm recording an acapella type of thing, I find vocals sound good when you can just understand every word. Anything more than that, almost always seams to suck the excitement out of a track, even if the track is fairly laid back (compared to what I'm used to working with). I like the vocals now. This is a kick ass mix right now. The bass thing is optional and just my personal taste. Brandon |
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Yeah, good call. The tracking was obviously mega pro and I'm interested to know what they are doing differently than I. I noticed way more low end in the vocal that what I get without sounding boomy, dull, or boxy. Maybe this is that "****" thing that every piece of recording gear says it does, but none of them actually do. Brandon |
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Pierce Pettis, Georgia Moon http://www.kyleknapp.com/audio/GeorgiaMoon.mp3 Jonathan Edwards, Athens County http://www.kyleknapp.com/audio/AthensCounty.mp3 Beth Amsel, Lonely Rider http://www.kyleknapp.com/audio/LoneyRider.mp3 David Wilcox, Common as the Rain http://www.kyleknapp.com/audio/CommonAsTheRain.mp3 Jackson Browne, These Days http://www.kyleknapp.com/audio/TheseDays.mp3 Mary-Chapin Carpenter, Late for your Life http://www.kyleknapp.com/audio/LateForYourLife.mp3 (there are probably better examples, but these were handy on my computer Quote:
1. bridge pickup (Martin Goldplus thinline in my Tacoma) 2. small diaphragm condenser mic aimed 4-6" from 12th fret 3. SM57 about 10" from guitar body (aimed at lower corner about 4" behind and below bridge) 4. AudioTechnica 4033 condenser about 3 feet in front of my right shoulder (tracks were recorded almost a year ago, so I'm totally certain of the placements, but this should be fairly close.) Vocals were recorded using a condenser mic with a tube in it (sorry I can't remember what model, but I think I remember that it hung upside down, and I think it had a BNC rather than XLR connector.) I sang pretty close into it, maybe 6-8 inches I think the fiddle was recorded with the same vocal mic, but I'm not sure. All the above was recorded in an isolation booth (semi-isolated anyway, we didn't usually close the door all the way as it got so stuffy in there) For the drums, I can't remember what mics were used, but there was one in the kick, one aimed at the snare head, two on the toms (one above & one below, but the guy never hit the toms anyway), and two overhead, about a foot above the cymbals just inside the left and right edges of the kit. (But then, I'm not particularly happy with the drums. As I said I edited them heavily, but I'm not sure how much of my displeasure was performance vs tracking methods) Tracking was done at Barnstormers Music in Austin TX (http://www.barnstormersmusic.com/) Bruce spent considerable time setting up for the sessions, changing and experimenting with placements, so I owe a lot of thanks to his ears for the quality of the tracks. We'll see how close I come as I do future tracking in my home studio. |
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Very cool. I read this topic from the beginning and could hear the changes from each version as you made them... Interesting.
__________________ Shure SM58/57 ~> M-Audio FastTrack USB ~> Adobe Audition 1.5 (Record Trax) ~> FL Studio 9 (Arrange, Mix & Master) ~> Yorkville YSMP2 |
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