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| Just wrapped this guy up (at least for now). Let me know what you think! Michael Last edited by sieglerm; 10-28-2009 at 05:35 PM. Reason: attached wrong edit |
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I really like this tune - very appealing... At the risk of sounding like a drunk punter yelling at the sound engineer during a gig, I'd say "Turn up the vocals!"... or at least even them out with some compression / limiting / automation. At some points in the song they are pretty much indecipherable, at others they are loud & clear - they are the focal point of the mix, so make sure they shine. Guitar sounds like it was recorded a bit too close to the mic & the initial "beat" of the strums is overpowering the sound a bit due to the proximity effect - HP filtering is the solution here - find a roll-off point where it gets rid of the "beat" but still retains some body in the guitar sound.
__________________ Sum of my Tunez... All former Bashing Victims! http://soundclick.com/fHumblefHingaz |
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I like the placement of the vocals. The primary fingerstyle guitar however... the thunkiness of it walks on the vocals sometimes. All the time, it just sounds bad. Try again. Different mics, different placements. The room's good enough, though. The rest (vocal, perc, general mixiness, whatnot) is really really really good. Oh, sloppy in the front end with the noise on the front tail into the piece.
__________________ Think how great Pink Floyd and Beatles records would be if they used better cables. |
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Gee... by the title I thought it was going to be something else... As said above, bring the vocals out front and move the guitar back a bit. It's knida cute with the minimal arragement, but you might want to consider a piano or something coming in halfway through -just my 2 cents.
__________________ Fall down seven times, stand up eight. |
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| This is a great suggestion and would improve the "production coefficient" about a 300%
__________________ Think how great Pink Floyd and Beatles records would be if they used better cables. |
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